Giselle
Жизель
The greatest of all Romantic ballets, Giselle, stars Svetlana Zakharova and Sergei Polunin in the Yuri Grigorovich’s production. The Bolshoi Theatre’s stage is brought to life with a story of love, betrayal, and redemption, told through beautiful choreography, which resonates with audiences throughout the world.
Actors
Жизель, крестьянская девушка
Граф Альберт
Ганс, лесничий
Берта, мать Жизели
Батильда, невеста Альберта
Герцог, отец Батильды
Вильфрид, оруженосец графа
Мирта, повелительница виллис
Crew
Хореография
Jean Coralli, Jules Perrot, Marius Petipa
Художник по свету
Mikhail Sokolov
Libretto by Theophile Gautier and Jean-Henry Saint-Georges
Choreography: Jean Coralli, Jules Perrot, Mauris Petipa
Choreographic version: Yuri Grigorovich
Designer: Simon Virsaladze
Music Director: Alexander Kopylov
Lighting Designer: Mikhail Sokolov
Conductor: Pavel Klinichev
Choreographic version: Yuri Grigorovich
Designer: Simon Virsaladze
Music Director: Alexander Kopylov
Lighting Designer: Mikhail Sokolov
Conductor: Pavel Klinichev
Characters:
Giselle, peasant girl — Svetlana Zakharova
Count Albrecht — Sergei Polunin
Hans, the gamekeeper — Denis Savin
Berthe, Giselle's mother — Anna Antropova
Bathilde, Albrecht's bride — Ekaterina Barykina
Duke, father to Bathilde — Alexei Loparevich
Wilfreed, count's armour bearer — Dmitry Dorokhov
Giselle's friends — Nelli Kobakhidze, Anna Leonova, Olga Marchenkova, Anna Okuneva, Yanina Parienko, Victoria Yakusheva
Myrtha, the Queen of Wilis — Ekaterina Shipulina
Two Wilis — Angelina Karpova, Ana Turazashvili
Peasant Pas de Deux — Daria Khokhlova, Igor Tsvirko
Count Albrecht — Sergei Polunin
Hans, the gamekeeper — Denis Savin
Berthe, Giselle's mother — Anna Antropova
Bathilde, Albrecht's bride — Ekaterina Barykina
Duke, father to Bathilde — Alexei Loparevich
Wilfreed, count's armour bearer — Dmitry Dorokhov
Giselle's friends — Nelli Kobakhidze, Anna Leonova, Olga Marchenkova, Anna Okuneva, Yanina Parienko, Victoria Yakusheva
Myrtha, the Queen of Wilis — Ekaterina Shipulina
Two Wilis — Angelina Karpova, Ana Turazashvili
Peasant Pas de Deux — Daria Khokhlova, Igor Tsvirko
This antique ballet was created in the XIX century and still remains one of the crown jewels of the Bolshoy theatre repertoire. The masterpiece of classical romantic choreography came to be in 1841 thanks mostly to immeasurable talents of Carlotta Grizi, a ballerina equally adored by poet and writer Théophile Gautier, librettist Jules-Henri Vernoy de Saint-Georges, choreographers Jean Coralli and Jules Perrot and composer Adolphe Adan, who created the ballet together as a token of their shared fascination.
The story of love that triumphs over death was danced by many great dancers and ballerinas of the world, and to this day remains an inspiration to ballet stars the world over, including principles of the Bolshoy.
Act I
A small, peaceful village, bathed in sunlight. It is inhabited by simple, artless people. Giselle, a young peasant girl, is rejoicing in the sun, the blue sky, the singing of the birds and, most of all, in the happiness of pure, trusting love which has lit up her life. She is in love and is confident that she is loved. The gamekeeper, who is in love with Giselle, tries in vain to persuade her that Albrecht, her loved one, is not a peasant at all but a nobleman in disguise and that he is deceiving her.
The gamekeeper manages to steal into the cottage which Albrecht is renting in the village and here he finds a silver sword with a coat of arms on it. Now the gamekeeper knows for sure that Albrecht is concealing his noble origins.
A party of distinguished noblemen, attended by a sumptuous suite, seek rest and refreshment in the village after the hunt. The peasants give their guests a cordial welcome.
Albrecht is embarrassed by this unexpected meeting: he tries to hide the fact he knows them for, in their company, is his betrothed, Bathilde. Meanwhile the gamekeeper shows everyone Albrecht’s sword and, unmasking him, tells them of the latter’s deceit. Giselle is shocked to the core by the perfidy of her loved one. The pure, crystal-clear world of her faith, hopes and dreams has been destroyed. She goes mad and dies.
Act II
Night-time. The ghostly forms of the Wilis, died brides, appear among the graves of the village church yard which is bathed in moonlight. “Dressed in bridal gowns and garlands of flowers...The irresistibly beautiful Wilis danced to the light of the moon. And as they felt the time given them for dancing was running out and that they had again to return to their icy graves, their dancing became more and more impassioned and rapid...” (Heinrich Heine).
The Wilis catch sight of the gamekeeper who, suffering from pangs of conscience, has come to visit Giselle’s grave. At the command of Myrtha, the unrelenting Queen of the Wilis, the Wilis encircle the gamekeeper and make him dance until he drops lifeless, to the ground.
Albrecht too, is unable to forget Giselle. And, at dead of night, he comes to her grave. The Wilis immediately encircle the youth. Albrecht is now threatened by the same horrifying fate as the gamekeeper. But the shadow of Giselle now appears and her eternal and self-sacrificing love protects and saves Albrecht from the anger of the Wilis.
The ghostly, white forms of the Wilis vanish with the first rays of the rising sun. And Giselle’s ethereal shadow vanishes too, but Giselle will always be alive in Albrecht’s memory — the ever-present regret for a lost love, a love that is stronger than death.
A small, peaceful village, bathed in sunlight. It is inhabited by simple, artless people. Giselle, a young peasant girl, is rejoicing in the sun, the blue sky, the singing of the birds and, most of all, in the happiness of pure, trusting love which has lit up her life. She is in love and is confident that she is loved. The gamekeeper, who is in love with Giselle, tries in vain to persuade her that Albrecht, her loved one, is not a peasant at all but a nobleman in disguise and that he is deceiving her.
The gamekeeper manages to steal into the cottage which Albrecht is renting in the village and here he finds a silver sword with a coat of arms on it. Now the gamekeeper knows for sure that Albrecht is concealing his noble origins.
A party of distinguished noblemen, attended by a sumptuous suite, seek rest and refreshment in the village after the hunt. The peasants give their guests a cordial welcome.
Albrecht is embarrassed by this unexpected meeting: he tries to hide the fact he knows them for, in their company, is his betrothed, Bathilde. Meanwhile the gamekeeper shows everyone Albrecht’s sword and, unmasking him, tells them of the latter’s deceit. Giselle is shocked to the core by the perfidy of her loved one. The pure, crystal-clear world of her faith, hopes and dreams has been destroyed. She goes mad and dies.
Act II
Night-time. The ghostly forms of the Wilis, died brides, appear among the graves of the village church yard which is bathed in moonlight. “Dressed in bridal gowns and garlands of flowers...The irresistibly beautiful Wilis danced to the light of the moon. And as they felt the time given them for dancing was running out and that they had again to return to their icy graves, their dancing became more and more impassioned and rapid...” (Heinrich Heine).
The Wilis catch sight of the gamekeeper who, suffering from pangs of conscience, has come to visit Giselle’s grave. At the command of Myrtha, the unrelenting Queen of the Wilis, the Wilis encircle the gamekeeper and make him dance until he drops lifeless, to the ground.
Albrecht too, is unable to forget Giselle. And, at dead of night, he comes to her grave. The Wilis immediately encircle the youth. Albrecht is now threatened by the same horrifying fate as the gamekeeper. But the shadow of Giselle now appears and her eternal and self-sacrificing love protects and saves Albrecht from the anger of the Wilis.
The ghostly, white forms of the Wilis vanish with the first rays of the rising sun. And Giselle’s ethereal shadow vanishes too, but Giselle will always be alive in Albrecht’s memory — the ever-present regret for a lost love, a love that is stronger than death.
Language
English, french
Runtime
2 hours 28 minutes with one intermission
Act 1
62 min
Intermission
22 min
Act 2
64 min
2015
12+
Theatre HD Live in Cinema 2017-2018: ballet
Весь сезон
Can be interesting for you
Nureyev: Swan Lake
Perhaps the most popular ballet in the world, Tchaikovsky's "Swan Lake" has been given a compelling new interpretation by Rudolf Nureyev.
